Quiet luxury is a status we all can achieve. At least, that's what Matt Russell's latest work with Waitrose would prove. Here Matt is doing what he does best, elevating the everyday with his beautiful light and perspective; transforming a supermarket shop into a spread for the ages.
Running through a place where athleticism echoes through the streets, the images have a certain pursuit about them. It shows James at his best: raw, unfiltered energy amplified by searing colour and finish.
Commissioned by Huck magazine to document the Black Fish collective; a grass roots organisation dedicated to connecting and preserving people from the Afro / Caribbean diaspora’s ancestral connection to fishing and the sea.
Jack photographed the UK Hobby Horse Championships at an equestrian centre near Leighton Buzzard, where 40 young competitors took to the arena with total commitment.
Commissioned by Waitrose to shoot their seasonal range of wines, Emily revealed just how striking product can become when seen through her caught-moments lens. Shot entirely on film with a vintage lens and bold flash, she brings a premium, yet warm feel to classic supermarket imagery. The result is product photography with atmosphere, energy, and undeniable character.
When Josh was commissioned by We Are Sunday to create a series of portraits of Merlin's Chris Bird and reportage images of the park, the outcome was always going to delight. Glorious compositions alongside Josh's signature warm hues and colour create a series of work that's both documentarian and inviting.
Owen Harvey's work is always born out of a deep interest in people, spending time with those he documents to discover facets of identity and belonging. In celebration of the infamous pearly kings and queens 150th anniversary, Owen has brought to life a unique London story of shimmering buttons and heritage for The Guardian.
Fujifilm sent Josh to Tokyo to commission a project called, 'Tokyo As You See It'. For it, Josh was given a Japanese word to centre a body of work around whilst in Japan. The word was "Natsukashii”, meaning a feeling of nostalgia so vivid it becomes sweet.
Dolmio's latest campaign "Pasta is naked without Dolmio" demanded pasta in the shape and texture of body parts. There was only one photographer for the job, the queen of skin and natural beauty, Sophie Harris Taylor.
A collaboration this big needed imagery that was equally attention grabbing. That's why Samsung commissioned Will Douglas to shoot their latest phone campaign, which features Google AI technology.
A story about the beauty of trying. Shot at the final turn of Rome’s Half Marathon, where sunlight breaks across runners as the Colosseum rises ahead. These images hold the raw mix of joy, exhaustion, relief, and determination that surfaces when the finish line finally comes into view.
What made Lewis Khan’s recent commission for JD Sports so standout wasn’t just the final images, it was the process behind them. The JD creative team wanted the project to be a truly collaborative journey, inviting Lewis in from the very beginning to shape casting, locations, and the overall look and feel together.
Captured in raw, tactile Polaroids by Emily Scarlett Romain, this campaign for RNIB speaks to something deeper than sight - it’s about building confidence. Confidence to thrive at work, to step out alone, to open up to love again.
A love letter to summer, to childhood memory, and to the delicate inheritance we leave behind, the title Hopelessly Devonian nods to how our culture and traditions shape us, often without our own realisation.
Owen was chosen to launch the visual identity of Spotify's new 'Spotify for Creators' branch. Commissioned through Hoff Studios, he photographed the dazzling Jorja Smith off the back of motion. In classic stills fashion, time was limited, but it revealed Owen's prowess as a photographer.
VCCP invited Emily Scarlett Romain to bring their ‘Bystanders’ campaign to life through a series of powerful images and motion pieces for DOOH. Rooted in the real experiences of Londoners, the work calls on people to “act like a friend” and stand in solidarity with those who face hate crime, sexual offences, and harassment across the transport
Will Douglas serves up effortless cool in his new campaign for Tortilla.
Commissioned by It's Nice That, Jack travelled to kite festivals in Basingstoke and Lytham, documenting Britain's kite-flying community as they filled the sky with inflatable cows and handmade creations.
When EE and Saatchi & Saatchi needed a photographer for the latest campaign about child safety on phones, they needed someone whose work spoke to parents and young people alike. As always, Lewis delivered - the shots are grounded, yet lightly stylised - proving he's one of the safest pairs of hands in the biz.
For Pampers’ latest campaign, Sophie Harris-Taylor was the perfect choice. Sophie brought her calm presence and extraordinary eye to photographing babies in their deepest sleep. In fact, her way with little ones meant they barely stirred. The images are as authentic as they come, which is exactly what we love.
Earlier this summer Jack Kenyon traveled to the Somerset village of Drayton for The New York Times, photographing Britain's gardening rebels who've abandoned their mowers for wildflower meadows.
How do you make young people excited about banking? A question you've probably never asked yourself, but one with an easy answer. Use Will Douglas as your photographer. His lens zaps life into finance. The flash is on, the energy is up and now the accounts are being opened.
Latest global shoot by Will Douglas - chasing Monitrex through Tokyo, NYC, Amsterdam, Dublin and Rio. Will's energy mirrored the brand: fast, precise and instinct-led. The shots hit with motion, sharp edges, soft blur, real pace.
Commissioned by The Telegraph Magazine, Jack documented the annual Swan Upping ceremony along the Thames, joining the Royal Swan Uppers as they rowed from Eton to Henley in their traditional scarlet coats. This centuries-old ritual sees the Crown’s official representatives count mute swans on the river - a blend of medieval pageantry and wildlife conservation that captures England at its most wonderfully peculiar.
A plate reborn as art, the stray grain of sugar that was always meant to be there, vistas conjured from your dreams. This is the wonder of Matt. His ability to curate mood in any moment creates scenes that feel as though they always have been, and always should be.