Commissioned by British Vogue, Jack headed to the NEC Birmingham to document the street style of Crufts, the handlers, owners and ringside devotees who treat the world's largest dog show as an occasion for dressing up.
The images Jess made are rich and saturated. Her colours feel energised and the backgrounds echo flavour rather than just frame it. When Jess is your photographer, she will always find a way to make the world around the product feel like it belongs to it. Like the whole frame has been dipped in the same idea.
Childhood has always fascinated Alexandrena Parker, not as merely a subject, but as a shared human experience. No matter where we grew up, our culture or what our family looked like, there is a universal connection to childhood and coming of age. It is a time defined by firsts, discovery, innocence and growth. It’s this fleeting feeling Alexandrena is driven to capture.
When Josh was flown out to San Francisco for a one day Adobe Community VIP Summit, he was kindly given an uber voucher to hop around the city when he had 12 hours spare. True to form, the work glimmers with warmth. Bright hues and quirky personalities emerge from the city as Josh reminds us why the Golden Coast got its name.
"It’s been so nice to reconnect with some of the people that I photographed 15 years ago, who I originally photographed as teenagers and who are now running their own club nights. The style has adapted, but the passion for the music, dancing (and taking pictures) remains."
The latest iteration of The North Face's Never Fear the Forecast campaign needed a photographer who could blend iconically British narratives with fashion-forward polish. Jack Kenyon was the natural choice.
As a photographer, Owen's work has always looked at people and how they find a sense of belonging. Surfing has shaped Peter and Jens' attitude toward life, working with the flows of nature. For Owen, it was enlightening to see them share this over the time he spent with them.
Dyson commissioned Jess to shoot the second part of their global campaign showcasing the Ontrac headphones. This time around the goal was less focused on Gen Z, instead targeting a slightly more mature demographic. The images keep a sense playfulness and motion but refine the visual language through a more classic, timeless studio shoot.
During his time in Puerto Rico, Matt found beauty, of course, but also a history, played out in the traditions of the island's inhabitants and the way they moved through the land. Tracing its past military use, the images focus on the presentness of people Puerto Rico and Vieques.
This series photographed by Emily Scarlett Romain is a collaboration with Bleed On It, a collective giving voice to experiences once considered shameful, taboo or unimportant in a world where pain and treatment of women is often under resourced and misunderstood.
For his entire career, Owen has been chasing one thing: work that moves him. His latest commission for The Atlantic is no different. Following the story of Miriam Cabas, a young female bullfighter or Novilleros making a name for herself in both Spain and abroad.
In her latest work for Cow and Gate, Sophie's gift for capturing the beautiful chaos of parenthood shines through. Working with real mums and dads rather than actors, the stills and motion feel instantly relatable, carrying a subtle humour throughout.
A project grown out of a quiet, unhurried journey. The train ride from New York City to Montreal set the pace for everything that followed.
Quiet luxury is a status we all can achieve. At least, that's what Matt Russell's latest work with Waitrose would prove. Here Matt is doing what he does best, elevating the everyday with his beautiful light and perspective; transforming a supermarket shop into a spread for the ages.
Running through a place where athleticism echoes through the streets, the images have a certain pursuit about them. It shows James at his best: raw, unfiltered energy amplified by searing colour and finish.
Commissioned by Huck magazine to document the Black Fish collective; a grass roots organisation dedicated to connecting and preserving people from the Afro / Caribbean diaspora’s ancestral connection to fishing and the sea.
Jack photographed the UK Hobby Horse Championships at an equestrian centre near Leighton Buzzard, where 40 young competitors took to the arena with total commitment.
Commissioned by Waitrose to shoot their seasonal range of wines, Emily revealed just how striking product can become when seen through her caught-moments lens. Shot entirely on film with a vintage lens and bold flash, she brings a premium, yet warm feel to classic supermarket imagery. The result is product photography with atmosphere, energy, and undeniable character.
When Josh was commissioned by We Are Sunday to create a series of portraits of Merlin's Chris Bird and reportage images of the park, the outcome was always going to delight. Glorious compositions alongside Josh's signature warm hues and colour create a series of work that's both documentarian and inviting.
Owen Harvey's work is always born out of a deep interest in people, spending time with those he documents to discover facets of identity and belonging. In celebration of the infamous pearly kings and queens 150th anniversary, Owen has brought to life a unique London story of shimmering buttons and heritage for The Guardian.
Fujifilm sent Josh to Tokyo to commission a project called, 'Tokyo As You See It'. For it, Josh was given a Japanese word to centre a body of work around whilst in Japan. The word was "Natsukashii”, meaning a feeling of nostalgia so vivid it becomes sweet.
Dolmio's latest campaign "Pasta is naked without Dolmio" demanded pasta in the shape and texture of body parts. There was only one photographer for the job, the queen of skin and natural beauty, Sophie Harris Taylor.
A collaboration this big needed imagery that was equally attention grabbing. That's why Samsung commissioned Will Douglas to shoot their latest phone campaign, which features Google AI technology.
A story about the beauty of trying. Shot at the final turn of Rome’s Half Marathon, where sunlight breaks across runners as the Colosseum rises ahead. These images hold the raw mix of joy, exhaustion, relief, and determination that surfaces when the finish line finally comes into view.
What made Lewis Khan’s recent commission for JD Sports so standout wasn’t just the final images, it was the process behind them. The JD creative team wanted the project to be a truly collaborative journey, inviting Lewis in from the very beginning to shape casting, locations, and the overall look and feel together.