Brought on by Zag for EasyJet, Emily Scarlett Romain travelled to Egypt to photograph a campaign set across a stunning five-star resort. A project built around the kind of imagery she has been making for years.
Tortilla has great taste, and we're not just talking about the food. They have once again commissioned Will Douglas, this time to shoot their summer menu. The images are a Will special: punchy colour, uncensored energy and flavour, and a menu that feels best enjoyed together. Summer is served.
Big set. Big talent. Big energy. Three of Will Douglas’ favourite things. Luckily all three featured in his latest campaign with White Claw, commissioned through VCCP.
Lewis always welds energy and art. His work at this year’s London Marathon pulls us in with thudding trainers pummelling the tarmac and the unbelievable delight of passing through a shower.
Commissioned to shoot the summer collection for the Aussie kids clothing brand, Goldie and Ace, Alex amplified the fun and wonder of childhood.
Shooting for Huck Magazine’s anniversary issue, Jess’ latest project is somewhat of a homecoming. On the streets of Camden where she grew up, Jess stepped back into music photography, capturing DJ AG; a figurehead of UK music.
All the character, none of the compromise. Future Château is a low-alcohol wine brand delivering the same rich flavour and experience you'd expect, just with a kinder ABV. Following a rebrand of their bottles, Matt was commissioned to shoot the campaign imagery. The brief called for something luxurious yet approachable; a look that sits confidently between everyday drinking and genuine quality.
Sophie Deller’s art is infectious. So when Josh Edgoose created a series of studio portraits for her, it inevitably seeped into the photographs.
Kerry, a native New Orleanian descended from generations of Louisiana Creoles, is a human brimming with stories and objects that span oceans, steeped in the birthplace of Jazz and important Black history. Moving in similar circles to the likes of Dr Jessica B Harris and Maya Angelou, it was a privilege for Matt to see, feel and absorb his home.
Welcome to The Wall. At mile 22 of a marathon, the human body usually refuses to run any further; completely spent and screaming at its owner. This is where James positioned himself at this year’s London Marathon. His images are of sheer grit and determination, illustrating the brilliance of ordinary people achieving something nearly impossible.
A conversation that started at bass playing styles, drove through philosophy and parked up at fashion. This is what James got when he shot guitarist Seye Adelekan for Marshall speakers.
A casual, but warm offering. That’s what Hi.Dozo means in Japanese. It also happens to be a new premium omakase sushi delivery service, born from Michelin-starred Chef Daisuke Nakazawa. Commissioned by award-winning design agency OMSE, the vision was to position Hi.Dozo firmly in the luxury lifestyle space, capturing the kind of effortless, elevated living that the brand speaks to.
Classroom antics was the order of the day when Harrison Shoes commissioned Alexandrena to shoot their new collection.
Easy like a Sunday morning, the song goes. Josh's latest work capturing a quiet Sunday morning with his 3 year old son feels exactly that: easy, warm and close up on the little moments of chaos that mosaic a childhood.
Commissioned by British Vogue, Jack headed to the NEC Birmingham to document the street style of Crufts, the handlers, owners and ringside devotees who treat the world's largest dog show as an occasion for dressing up.
It's a long summers day. You step out your door and are hit with the irresistible smell of a barbeque. You walk a little further and see a neighbourhood gathering. A spontaneous mishmash of tables and chairs decorated with colourful plates and plastic cups greet your eyes. Simple but delicious food is offered with a smile as you join the fun. This is the story Emily has brought to life in her latest commission for German supermarket Penny.
For Owen, the best part about being a photographer is the opportunity to meet other artists and soak up their process. When he first met Arowah, he was struck by her commitment to the idea of 'collaboration over ego'. Working as both photographer and director, this idea was in full effect for Owen during the shoot; creating a portrait of the artist that is at once rich and stripped back.
The images Jess made are rich and saturated. Her colours feel energised and the backgrounds echo flavour rather than just frame it. When Jess is your photographer, she will always find a way to make the world around the product feel like it belongs to it. Like the whole frame has been dipped in the same idea.
Childhood has always fascinated Alexandrena Parker, not as merely a subject, but as a shared human experience. No matter where we grew up, our culture or what our family looked like, there is a universal connection to childhood and coming of age. It is a time defined by firsts, discovery, innocence and growth. It’s this fleeting feeling Alexandrena is driven to capture.
When Josh was flown out to San Francisco for a one day Adobe Community VIP Summit, he was kindly given an uber voucher to hop around the city when he had 12 hours spare. True to form, the work glimmers with warmth. Bright hues and quirky personalities emerge from the city as Josh reminds us why the Golden Coast got its name.
"It’s been so nice to reconnect with some of the people that I photographed 15 years ago, who I originally photographed as teenagers and who are now running their own club nights. The style has adapted, but the passion for the music, dancing (and taking pictures) remains."
The latest iteration of The North Face's Never Fear the Forecast campaign needed a photographer who could blend iconically British narratives with fashion-forward polish. Jack Kenyon was the natural choice.
As a photographer, Owen's work has always looked at people and how they find a sense of belonging. Surfing has shaped Peter and Jens' attitude toward life, working with the flows of nature. For Owen, it was enlightening to see them share this over the time he spent with them.
Dyson commissioned Jess to shoot the second part of their global campaign showcasing the Ontrac headphones. This time around the goal was less focused on Gen Z, instead targeting a slightly more mature demographic. The images keep a sense playfulness and motion but refine the visual language through a more classic, timeless studio shoot.